Two nightgowns based on the Seamwork Savannah pattern, more or less. I’ve been tinkering with the arm/bust area and have narrowed it by about an inch at the top on both sides to prevent the gaping I was getting. I also paid more attention at keeping the bias tape facing taut as I sewed. I added 4 inches to length with some leftover Britex linen I experimented with over-dying.
I also have been getting more comfortable with the knew-to-me rolled hem foot.
I don’t quite have it perfected. This time I hemmed before I put in the French seams – the foot does not like to have bulk of any kind roll through it. It worked a bit better, but I’m not quite there. I’ve got a few warbly spots, and a couple spots where it has rolled back on itself, and at the side seams it’s not quite right. For my 2nd time, I’m pretty happy with it, but will need to practice much more.
Linen & wrinkles. Like peanut butter and chocolate. Not my best dye job either… I over-dyed the Burnside Bibs too after this, learning from this blotchy mess, and they came out almost perfect. I used Rit black, a cup of salt, hot water, and was much more patient with the bibs.
The second is a refashion. My mom loved this nightgown for over 10 years and asked if I could salvage some of it. It really is a very soft cotton. I’m not sure how long it’s going to live after the refashion, but some is better than none.
I started with my Savannah-turned-nightgown pattern. Since it was originally a very full henley nightgown I didn’t think to take in much ease, but that proved to be a mistake. There was a huge gap at the back, even with crisscrossing the straps.
I had already put on the binding. Whoops. In hindsight, I should have made a figure 8 with the binding and straps…Live and learn. HOWEVER. I have an excellent jumping off point to re-draft this as an original design from scratch.
Crappy iPhone photos showing gap-mishap. It was was WAY worse on. Dress form linen is a bit sticky, not slinky, and grip the fabric.
I went with the crisscross straps, then I took my rotary cutter and cut an 8 inch wedge down to zero at the hem, and ran it through the serger.
It’s a little slap-dash, but I feel it has a lot of potential. I really like the back. I’m going to start from scratch next time, but I think I’ve got something here. You can probably visualize better here the figure 8 that the binding and straps should be making, and they’d just cover the back and front binding ends so neatly.
I left the original hem on the knit gown.
I had to cut the binding from the sleeves, so technically the stretch is in the wrong direction, but it turned out great. Really flat and solid.
Overall, I’m happy with my double wearable muslins.